电影《Dead Again》是一部(🥈)恐怖(bù )电影，主要(🖼)讲(jiǎng )述了对爱情相(🎼)(xià(😌)ng )当执着的主(zhǔ )人(🧔)公(gōng )走向灭亡(wá(🕙)ng )的(🥩)故事，人(rén )类心理(🤤)上(❗)的恐(kǒng )怖将通过(🍘)日记(jì )的形式向(⏮)观(🌜)(guān )众展现。电影(yǐ(🔃)ng )将(🐸)于下个月(yuè )开机(💻)(jī(😴) )，计划于(yú )明年(🚲)上(🎋)半年在(zài )韩国和(🔈)美国(guó )同步上映。

此(🗼)(cǐ(🏞) )片以在民间(jiān )广(🦉)为(wéi )流传的民(mí(🥍)n )国“鬼新娘”故事为背(🛅)景(🥩)(jǐng )，讲述了都市(shì(🚸) )青年林青衣(yī )和(♒)梁(liáng )晓光感人(rén )至(🔗)深(🦂)的爱情(qíng )故事。

重(👠)口味(wèi )血腥恐怖(🤘)片(👷)。一场入室绑(bǎng )架(📌)迫(🔬)(pò )使两位少(shǎo )年(🎅)闯入一个(gè )偏远(🙁)的(🔮)乡村宅(zhái )邸，偷窃(🎚)顶(💸)级(jí )机密文件。他(🍘)们(📴)不知道的(de )是，那(🦅)所(🔼)富(fù )丽堂(táng )皇的(⏱)旧宅(zhái )邸也是一群(🥓)位(🛸)(wèi )高权重的中(zhō(🙈)ng )年人的集合地(dì(📏) )，那些中年(nián )人穿(chuā(🕛)n )着(🏎)尿布，故意放纵地(🐔)陷入护士主题(tí(🍃) )的性奇想，以(yǐ )便躲(🗃)避(🖐)生活(huó )压力(lì )。或(😃)者这(zhè )场奇怪的(🥧)集(jí )会意欲通过阴(🍘)(yī(🚊)n )险的病态的畸(jī(⛄) )形的的方式(shì )为(💜)全(😌)(quán )球经济补(bǔ )充(😫)能(➖)量…

Satan demands worship but now he demands a meat cleaver massacre. A town under the control of the devil and a mystery killer on the loose leads to shock after shock.

On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…

斯坦利·(👕)图(💉)齐(qí )饰演一位(😮)已(🐿)婚(hūn )大学教授，爱(🏦)迪生·蒂姆(mǔ )林饰(🏜)演(⛔)其门(mén )下写(xiě(🌫) )作(🦓)天赋非(fēi )常厉害(❓)的女学生，在一对(duì(🎸) )一(🏙)的写作教学(xué )中(🌔)两人逐渐(jiàn )对彼(😟)(bǐ )此心生爱(ài )意，一(🔤)段(🥙)不(bú )可避免的“师(🧐)(shī )生恋”就此展(zhǎ(🔗)n )开。电影由(yóu )理查(chá(🔖) )德(😥)·莱文(wén )执导，詹(🎪)妮(nī )安·加罗法(👫)洛(😏)(luò )、里奇·科斯(📟)(sī(🕯) )特、科尔·比米(💦)尼菲等人(rén )参演(🍴)。

2017戛(😋)纳(nà )影展导演双(🕘)周(zhōu )单元闭幕片。美(🛎)国(♟)导演吉(jí )瑞米(👾)杰(🏡)斯伯编(biān )导作品(🔒)，丹(dān )妮尔(ěr )麦唐诺(⛽)主(🧞)(zhǔ )演。故事描述一(🧑)个乡镇女(nǚ )孩，追(😬)寻饶舌(shé )美国梦的(🏬)故(🎪)(gù )事。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.