久米一成,太田雅彦,下司泰弘,太田知章,山口美浩导演执导的《罗莎莉亚》，2003年上映至今获得了不错的口碑，由White等主演的一部不错的动漫。

罗莎莉亚剧情：

这部现代(🥏)童话(⚓)(huà )故(🎏)事(🚁)(shì )围绕一个(gè )女孩在(🆒)一(yī(🎬) )座神(😓)(shé(🚱)n )秘城市中的奇幻冒险(🛅)(xiǎn )展(👺)开。U2乐(👏)队主(zhǔ )唱Bono与维姆(mǔ )·(🌕)文(🎷)(wén )德(🕎)斯共(🐬)同担任(rèn )监制，Bono与威利(🚓)·(💿)纳尔(🤶)(ěr )逊操(cāo )刀原声歌(gē )曲。

每(🥣)年(nián )八(🍐)月(yuè )，夜幕降临下的爱丁(dī(🍟)ng )堡城堡(🥗)，就只(zhī )属于戏剧和军(jun1 )乐，力(🐧)与(yǔ )美(🛰)的(de )表达。

ユミは夫と娘(niáng )の(⛓)３人暮(✂)らし。近々引(yǐn )っ越(yuè(🚸) )しを(🔀)考え(🔍)て(🎾)いる。ユミは娘のレイ(📧)ナが(🍠)時折(🤑)う(🚗)わ言を発することが(🚰)、少(👾)々気(💡)にかかっていた。転(zhuǎ(🔩)n )居(🤘)の報(😅)告(gà(➕)o )も兼(jiān )ねて友人ヒロ(🧖)ミ(🚎)と久(👧)々に再会するユミ。話題は(🚰)いつし(🤞)か「あの日」のことに。「(🔷)私たち(❕)が埋めた時、本当に死ん(🐳)でたの(🆘)かな？」。ユミは「あの日(👉)」のこ(🌃)とを清算すべく、サ(😄)エ、(😣)アコ(👼)に(💟)も再(zài )会を決意し、(👷)廃墟(🌜)(xū )の(🐙)よ(🏑)うな家に一人(rén )で住(💵)(zhù )む(🌺)サエ(🖕)に会いに行く。サエは(🧗)、(😋)見(jià(🤩)n )知らぬ少(shǎo )女が現れて娘(📹)だ(⛪)と言(🏉)って聞かず、しばらく一(🛹)緒に暮(〰)(mù )らしていたが死んだこ(🚍)と、そ(📳)して少女は死んだままそ(🍖)の家の(🐽)３階に寝(qǐn )かされている(😈)という(😰)ことを話し出す。(C)「黄(👣)泉が(🔃)える(🏨)少(🤠)女」製作委員会

Cut off from home and facing an impossible mission against mounting odds, "Deep Six" is a hyper-realistic live-action portrayal of a deep space forward operating base at a pivotal moment for humankind 250 years in our future.

Small time criminal Jimmy from Malmö, dreams of making it big. All he has to do is to pull off the drug deal of his lifetime with the infamous crime boss Dragan. Things don't go as planned, and suddenly Jimmy becomes a wanted man on the run from the police. He turns to the girl he loves Josephine, and during a few unforgettable summer nights their passion stirs a storm of emotions. Jimmy has to put everything on the line to fulfill his dream, but his past comes back to haunt him. The two lovers have to make a decision that will change their lives forever.

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

Three terrifying tales to keep you awake all night: ‘(📦)Night of the Sea Monkey’, ‘(😉)Lamb Feed’ and ‘(🔭)Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.

藝(yì )術家自古(gǔ )皆(🌁)寂寞(🆒)或(huò(🌡) )許是(shì )境界，人到中年(🛁)萬(🥪)事(shì(🚍) )憂則是現實。在畫室洋洋灑(🗾)(sǎ )灑呈(📱)現自(zì )由雄(xióng )風的裸男畫(🛸)作令他(🏼)一(yī )舉成(chéng )名，在家(jiā )面對(🎀)前妻(qī(😇) )懷着(zhe )新歡骨肉、與女兒相(🤼)(xiàng )處尷(📟)尬卻令他(tā )一籌莫展。貝(bè(🕦)i )蒙特的(⏭)寂(jì )寞，在於如何在著(🗿)名畫(😛)家(jiā(🍲) )與(🌩)單親爸爸雙(shuāng )重身份(⏱)、藝(🅱)術(shù(🕗) )創作與家庭生活之間取(〽)得平(🏏)衡。維(🗜)(wéi )羅（《電影就(jiù )在街(🗳)角(📨)》，35 屆(jiè(😗) )）找來合作多年的編(biān )劇(📰)兼美指(💘)好友(yǒu )對號入座，還(hái )原藝(🍓)術家(jiā(📕) )有血(xuè )有肉的矛盾本性，在(🏎)(zài )出世(🏉)(shì )與入世的(de )兩難外，毋忘(wà(🚡)ng )點點超(🚄)現實的幽默。

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