一对情侣外出度(dù )假，入住豪宅，然[展开全部]
一对情侣外出度(dù )假，入住豪宅，然(rán )而，当他们半夜(yè )醒来(lái )，却发现自(zì )己躺(tǎng )在一个处处充(🌬)(chōng )斥着(zhe )恐怖(🧜)氛围的荒弃(❎)(qì )诡宅中…(📇)…他(tā )们意(👛)(yì )欲逃离，然(💩)而却(🛏)(què )始终(❔)逃不(✂)出去，努(🌞)(nǔ )力(♋)奔逃，但(🐼)逃往(🦎)(wǎng )的地(⛷)点却(🥃)还是这(zhè )所(🕳)(suǒ )诡异的荒(🎧)宅……更恐(❌)(kǒng )怖(🤳)的是，当(🧟)他们(📋)(men )再度回(🚅)到这(🔹)座(zuò )诡(🔱)宅(zhá(📙)i )，却发现(🏫)，时间(jiān )跟他们走出去(qù )的时(shí )间，一样……
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
藤(téng )冈靛在片中饰演(yǎn )引(yǐn )发奇迹的正体不(bú )明的(de )主(🚇)人公拉乌(wū(🌄) )，尽(jìn )管他的(🍿)国籍与(yǔ )语(🔃)言(yán )不明，但(🕥)是温暖(nuǎn )的(🔎)笑容(🦃)却有种(🛹)(zhǒng )不(♎)可(kě )思(🛩)议的(⏩)力量，影(🎫)(yǐng )片(💓)通过超(🧓)越国(💘)籍(jí )与(yǔ )宗(🍮)教的年轻人(❤)们(men )的友情，自(🏔)然地(🧦)(dì )反(fǎ(😮)n )应人(🛺)们的生(🍂)活。影(🔞)片(piàn )全(📌)篇外(🈯)景在印(🍆)度(dù )尼西亚苏门答(dá )腊岛(dǎo )拍摄，用时一个(gè )月。
多摩湖のほとりで男性の遺体(tǐ )が発見された。遺(📌)(yí )体の身元(🗓)は、株(zhū )式(🐰)会社橋本商(⏰)事(shì )の社(shè(🍬) )長である橋(😐)本(bě(🔉)n )圭一(yī(🍢) )（山(🚀)上賢治(🌐)）と(🐔)判明。死(😻)因は(⛹)頭がい(🎆)骨の(💘)骨折による(💙)失血死で、(🛍)後(hòu )頭(tóu )部(😫)を鈍(⛎)器のよ(😪)うな(🆗)もので(🔲)殴打(😘)されて(🌡)いた(🍵)。身元確(✔)(què )認に来た社員の伊藤(téng )（浅香航大）によると、橋本は最(zuì )後の電話で、兵庫(kù )の「丹波篠山」にいる(🛂)と言ってい(🧣)たという。遺(🕋)体(tǐ )が発見(🎦)された東(dō(🚠)ng )京の(👤)多摩湖(🚻)から(🆖)は距離(🏭)(lí )が(🔅)あるこ(🛣)とか(🤐)ら、別(👡)の場(❕)所で殺害(hà(📨)i )された後に(🎃)遺棄(qì )され(👷)た可(👸)能性が(🌸)でて(🐳)きた…(🍌)。
子ど(💫)もに夢(🤡)を与(🎖)え、想(✉)(xiǎng )像力をはぐくむコンテンツ作りをめざして、キャラクターアニメーションを中心にデジタル絵本やARと(✅)いったアプ(🐏)リなどを通(🍓)して、エン(🐜)タメから知(📳)育まで幅広(🏊)く活(📔)動して(✌)いる(👌)スタジ(⛳)オな(📙)なほし(🐹)が、(📢)ジャンルや(🔋)メディアを(🏍)問わず、も(🏼)のづくりを(👸)手(shǒ(🌛)u )掛ける(🛡)ウサ(🤱)ギ王(wá(⛓)ng )と制(🧘)作。どこ(🕐)の家(jiā )にもある縁起物(wù )たちと、彼らが動くさまを見た子(zǐ )どもたちとの交流を、躍動感いっぱいに描(🔘)いたドタバ(🔄)タコメディ(💪)！
1926年(nián )，在面临(😈)个人生活(huó(🍐) )破碎和写作(⏹)瓶颈(🎾)(jǐng )危机(🏩)的情(🤰)况下，年(📀)(nián )轻(🤽)的(de )阿加(🙈)莎.克(⛎)里斯蒂(dì )决(🏏)定自己去解(🌄)(jiě )决一(yī )个(🛀)真实生活中(🧕)的(de )谋(🤡)杀案。
本(⏺)片撷(🆙)取(qǔ )了(🤨)发生(🚷)在中国(🛃)北(bě(🦓)i )方小城镇中一个(gè )中(zhōng )国青年出狱后的(de )一段(duàn )人生经历，讲述(shù )了一个小人物(wù )在商(shāng )品经济的大潮中(🕍)(zhōng )与时代的(🔉)隔离(lí )，以(yǐ(🚉) )及人们对金(🔃)钱的(de )崇尚和(🧥)理想、道(dà(🔦)o )德(dé(🍹) )的流失(🔯)，对社(📼)会(huì )与(👀)人性(⛅)作出了(😁)深(shē(🌹)n )度拷问。尤其(📨)是本(běn )片以(🌯)(yǐ )中国农历(🙊)冬季的(de )四个(🐵)节气(🕖)作为(wé(🐆)i )篇章(🚺)(zhāng )，具有(🍽)强烈(🍌)的中(zhō(⛄)ng )国文(🍦)化符号视觉。[收起部分]
